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The first permanent blue pigment was created by the Egyptians in 2200 BC using the precious stone lapis lazuli. Due to its scarcity, they ultimately turned to chemistry and created pigment by heating limestone, sand, and copper. Blue continued in the tradition of art through the impressionists and post-impressionists, like in Vincent van Gogh's classic Starry Night. From soothing, cool blue to high-energy, electric blues, Erin Hanson utilizes the color in a myriad of backdrops, and subjects and often as a contrast to vibrant yellows and blazing oranges.
The first permanent blue pigment was created by the Egyptians in 2200 BC using the precious stone lapis lazuli. Due to its scarcity, they ultimately turned to chemistry and created pigment by heating limestone, sand, and copper. Blue continued in the tradition of art through the impressionists and post-impressionists, like in Vincent van Gogh's classic Starry Night. From soothing, cool blue to high-energy, electric blues, Erin Hanson utilizes the color in a myriad of backdrops, and subjects and often as a contrast to vibrant yellows and blazing oranges.
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| Blooming Cherry |
| Amazing Grace |
| Moonlight Lilies |
| Tropical Palms |
| Coastline Dusk |
| Winds of Four Corners |
| Haystack at Sunset |
| Serenade of Blooms |
| Sunset Symphony |
| Azure Blooms |
| Aubergine Lilies |
| Impressions of Spring |
| Opal Sky |
| Evening Cypress |
| Philosopher's Path |
| Irises on Yellow |
| Water Hues |
| Montecito |
| Monterey Blues |
| Expanse of Lilies |
| Monet's Lilies II |
| Yosemite Glow |
| Cypress in Diptych |
| Saguaro at Sunset |
| Fields of Flax |
| Illuminated Oaks |
| Cascades Light |
| Lilies Dreaming |
| Agave and Coast |
| Blue Dusk |
| Cannon Beach II |
| Cherry Bloom Dusk |
| Weeping Cherry |
| Yosemite Sky |
| Mendocino Hues |
| Monet's Bridge |