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The first permanent blue pigment was created by the Egyptians in 2200 BC using the precious stone lapis lazuli. Due to its scarcity, they ultimately turned to chemistry and created pigment by heating limestone, sand, and copper. Blue continued in the tradition of art through the impressionists and post-impressionists, like in Vincent van Gogh's classic Starry Night. From soothing, cool blue to high-energy, electric blues, Erin Hanson utilizes the color in a myriad of backdrops, and subjects and often as a contrast to vibrant yellows and blazing oranges.
The first permanent blue pigment was created by the Egyptians in 2200 BC using the precious stone lapis lazuli. Due to its scarcity, they ultimately turned to chemistry and created pigment by heating limestone, sand, and copper. Blue continued in the tradition of art through the impressionists and post-impressionists, like in Vincent van Gogh's classic Starry Night. From soothing, cool blue to high-energy, electric blues, Erin Hanson utilizes the color in a myriad of backdrops, and subjects and often as a contrast to vibrant yellows and blazing oranges.
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| Ancients at the Fjord |
| Maple on Blue |
| Geirangerfjord |
| Palm Springs Dawn |
| La Quinta Golds |
| Water Lily Blues |
| Mt. Hood's Last Light |
| Fjord Reflections |
| Amazing Grace |
| Blooming Cherry |
| Hazelnuts in Snow |
| Willamette Skies |
| Illuminated Fjords |
| Mt Rainier Peak |
| Japanese Blooms |
| Haystack at Sunset |
| Point Lobos Sky |
| Serenade of Blooms |
| Dundee Hills |
| Azure Blooms |
| Monet's Bridge |
| Sunset Symphony |
| Irises on Yellow |
| Water Hues |
| Running Reflections |
| Monterey Blues |
| Expanse of Lilies |
| Radiant Shadows |
| Irises on Blue |
| Fjords of Norway |
| Montecito |
| Winds of Four Corners |
| Dawn over the Fjords |
| Coastline Dusk |
| Etretat Fields |
| Tropical Palms |